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SELECTED SOLO EXHIBITIONS:
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2012
|
Gesture: The Power of My Hand, Corner Store
Arts, Washington, DC
|
|
2011
|
Art and Sole, Lucinda Gallery, Baltimore,
MD
|
|
2010
|
Coming Home: A Collection of Works by Rosetta
DeBerardinis, Corner Store Arts, Washington, DC
|
|
2008
|
Divine Synergy, Capital One Financial Services,
McLean, VA
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|
2006
|
Pictures of Nothing: Abstraction Since Pollock,
Ozmosis Gallery, Bethesda, MD
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Works by Rosetta DeBerardinis, Sprint/Nextel
Corporation, Reston, VA
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|
2003
|
The Color of Art, The Artist’s Museum,
Washington, DC
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SELECTED GROUP EXHIBITIONS:
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|
2016
|
Points of Departure: An Exhibition Without
Borders, John Kohler Arts Center, Sheboygan, WI
|
|
|
Pinnacle National Juried Competition, Foster
Tanner Fine Arts Gallery, Florida A&M University, Tallahassee,
FL; Juror: Zoe Charlton, Chair, Art Department, American
University, WDC.
|
|
|
Absolutely Abstract, Philadelphia Sketch Club,
Philadelphia, PA; Jurors, Lois Schlachter and Charles Kalick,
Chairs Of Painting at Philadelphia Academy of Fine Arts
and Liz Osborne, noted abstract painter.
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|
|
Octoroon, Woolly Mammouth Theatre, Washington,
DC
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New Power Generation, Hampton University Museum,
Hampton, VA; Jurors: Dr. Stella Jones, Stella Jones Gallery
&
Dr. Alvia Wardlaw, Professor of Art History at Texas Southern
University
|
| |
I Breathe With You, Augusta Savage Gallery,
University of Massachusetts-Amherst, Amherst, MA
|
|
|
Art in Motion, The Mansion at Strathmore,
Rockville, MD
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|
|
Hands Up Don’t Shoot-Her, United Theological
Seminary of the Twin Cities, Minneapolis, MN
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|
2015
|
FY16 Artist Fellowship Program-Visual Arts,
DC Commission on the Arts and Humanities, Washington, DC
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|
|
IAM Pocket Sized, Islip Museum of Art, Islip,
NY; Rhonda Cooper, Dir. University Art Gallery- Stony Brook
University, curator; catalog
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| |
RESPOND, Smack Mellon Gallery, Brooklyn, NY
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Small Works, Pleiades Gallery of Contemporary
Art, New York, NY
|
| |
Artists for Soup, Vassar College, Pougkeepsie,
NY
|
| |
Just Add Water, Kirkland Art Center w/Golden
Artist Colors, Clinton, New York
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| |
The Know Art Project, Slippery Rock University,
Slippery Rock, PA
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|
2014
|
Chasing Down the Pour, George Washington University,
Washington, DC; catalog essay by Miriam Grotte-Jacobs, PhD.
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|
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Art at the Noyes, Noyes Museum of Art at Stockton
College, Atlantic City, NJ
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Alchemical Vessels, Joan Hisaoka Healing Arts
Gallery, Washington, DC; catalog
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2013
|
Art Romp, Anacostia Arts Center, Washington,
DC (also ’04-’06)
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Off the Wall, The Center for Contemporary
Art, Bedminister, NJ
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2012
|
The Personal is Political, Koehnline Museum
of Art, Des Plaines, IL; catalog
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|
Women’s Day Festival, Museum of Latin-American
Art, Venice Beach, CA
|
|
2011
|
Drawing Connections, Siena Art Institute,
Siena, Italy; catalog
|
|
Articulation, Zenith Gallery, Washington,
DC
|
|
2010
|
Continued Influence of Black Mountain College,
Black Mountain Museum, Black Mountain, NC
|
| |
Autumn Equinox, Zenith Gallery, Washington,
DC
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| |
Trees of Life, Zenith Gallery, Washington,
DC
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| |
Travecca’s Celebration of the Arts, Travecca
Nazarene University, Nashville, TN
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|
2009
|
Studio Residency Exhibition, School 33 Art
Center, Baltimore, MD; catalog and essay by Doreen Bolger,
Dir. of the Baltimore Museum of Art
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| |
Self Portrait, The Yaroslavi Art Museum, Yaroslavi,
Russia
|
| |
Reclaiming Hearts, Asssociation de Mujeres
Artistas, Madrid, Spain
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| |
Gardens, The Francoise Giroud Library of Castines,
Castines, France
|
| |
Out of Order, Maryland Art Place, Baltimore,
MD
|
|
Singular Sensations, Columbia Arts Center,
Columbia, MD
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| |
Empty the Fridge, Field Mansion, East Hampton,
NY
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Ben Franklin, Gallery 321, Baltimore, MD
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|
2008
|
Art Anonymous, Corcoran Gallery of Art, Washington,
DC
|
|
Art Bridges, The Dallas Women’s Museum,
Dallas, TX; catalog
|
| |
The Gala, African-American Museum of Dallas,
Dallas, TX
|
| |
Wish You Were Here, A.I.R. Gallery, New York,
NY
|
| |
Box Show, Light Street Gallery, Baltimore,
MD
|
|
2007
|
The One Word Project, The Arts Club of Washington,
Washington, DC; book
|
| |
Contemporary Color-Contemporary Artists and
the Color School Legacy, Montpelier Arts Center, Laurel,
MD; curated by artist, Sam Gilliam
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|
2006
|
Reincarnations, Zenith Gallery, Washington,
DC
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|
Convergence, Marlboro Gallery, Laurel, MD;
Norman Parrish, Director of Parrish Gallery, juror
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|
2005
|
Seeing Red, Ozmosis Gallery, Bethesda, MD
|
| |
Behind the Veil, Ozmosis Gallery, Bethesda,
MD
|
|
2004
|
Gallery Artists, Gallery G, Alexandria, VA
|
|
Members Show, MOCA DC, Washington, DC
|
| |
1460 Wall Mountables, DC Art Center, Washington,
DC
|
| |
Small Works, New Arts Program, Kurtztown,
PA
|
|
2003
|
Flower Show, Women’s Democratic Club,
Washington, DC
|
|
2002
|
International Museum of Postmodern Ceramics,
City Museum of Varazdin, Croatia; catalog
|
| |
A Tribute to All Things Magical, Del Ray Arts
Center, Alexandria, VA
|
|
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AWARDS/GRANTS/RESIDENCIES:
|
|
2016
|
“Celebrating the Genius of Women”:
Recognition Award, Women in the Arts, Inc.
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2014
|
DC Art Bank Collection Grant, DC Commission
on the Arts and Humanities
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2013
|
DC Art Bank Collection Grant, DC Commission
on the Arts and Humanities
|
|
2010-01
|
Residency, Zenith Community Art Center, Washington,
DC
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2007-09
|
Residency, School 33 Art Center, Baltimore,
MD
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2007
|
Liquitex Artist of the Month (January) Award
|
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SELECTED PUBLIC/PRIVATE INSTITUTIONAL COLLECTIONS:
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Black Mountain College Museum and Arts Center,
NC
|
Office of Veterans Affairs, WDC
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Chiang Hai International Airport, Beijing,
China
|
Office on Returning Citizen Affairs, WDC
|
|
DC Art Bank Collection, WDC
|
DC Department of Tourism, WDC
|
|
Kanoria Center for the Arts, Ahmedabad, India
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Judith A. Hoffberg Archive, CA
|
|
Marriott Marquis, DC Hotel
|
Maryville University, MO
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|
Modesto Museum, CA
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PNC Bank , VA
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Park Towne Place, PA
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Siena Art Institute, Siena, Italy
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The Sketchbook Project, NYC
|
University of California, CA
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Verizon Center, WDC
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Ontological Museum, NM
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SELECTED BOOKS/ REVIEWS/ARTICLES:
|
|
F. Lennox Campello, 100 Artists of Washington,
DC, Schiffer Press, 2011; p 68-69
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|
J.T. Kirkland, Thinking About Art; The
One Word Project, 2006; p 31-32
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|
Stephen Thrasher, “RESPOND; Artists Offer
Bold, Urgent Take on #blacklivesmatter”, The Guardian,
Jan. 20, 2015; p.12
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|
Holland Cotter, “Raging at Racism, From
Streets to Galleries…”, The New York Times,
Jan. 22, 2015; 1L41
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|
Najee Dorsey, “Studio Visit: Rosetta
DeBerardinis”, Black Art in America, Dec. 2013;
https://bia-studio-visits-rosettadeberardinis
|
|
Katherine Boyle, “Charity Event Gets
Global Reach”, The Washington Post, March 25,
2012; p. E-5, Featured drawing
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|
Emily Lyons, “breaking the mold”,
Washington Spaces magazine, Summer 2009; p.47
|
|
Editor, “Interview with Rosetta DeBerardinis”,
Radar magazine, June 2009; https://youtube.com/watch?v+nrAikNOWHjE
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|
Ann Wiker, “Hello, I’m Rosetta DeBerardinis”,
SoBo Voice, Nov. 2008; p. 6-9
|
|
Joe Macenka & Olympia Meola, “Crafting
a comeback”, Richmond Times Dispatch, Apr. 6,
2007; p.A1
|
|
Stephanie Samuel, “Exhibit looks at the
past… future of color field art”, The Prince
George’s Sentinel, Apr. 25, 2007; p.1 & 5
|
|
Calendar Editor, “Pick of the Week”,
Richmond Times Dispatch; May 20, 2007; H6, Featured
painting
|
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Editor, “Action Painter: Rosetta DeBerardinis”,
Contemporary Art Gallery magazine, Jan. 19, 2007;
pp.1-3; https://cagzine.com
|
|
Editor, “Abstract Expressionism”,
Community Art News, Apr. 2006; p.1
|
|
Jim Magner, “Artist Profile: Rosetta
DeBerardinis”, Hill Rag, June 2005; p.90 -91
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EDUCATION:
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A.B
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Vassar College
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M.S
|
University of the District of Columbia
|
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J.D
|
University of Baltimore School of Law
|
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Rice University; London School for Social
Research; Fashion Institute of Technology
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|
Paintings
| Drawings
| Sculpture | Artist
Statement |
Artist Bio |
Resume | News
| Contact
| E-Mail
|
©
2011 Rosetta DeBerardinis.
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|
